"Next Fall has achieved the tricky and necessary feat of retaining its subtlety while increasing its clarity in making the transfer to Broadway. Wilson Chin (sets) and Jeff Croiter (lighting) have scaled up their designs to fill a larger house without strain." – Ben Brantley, New York Times

"Wilson Chin's set, Jessica Wegener's costumes and Jeff Croiter's lighting never call attention to themselves; they're functional in the best sense." – Ben Brantley, New York Times (2009)

"With help from Wilson Chin's fluid set changes, Kaller folds a series of flashbacks into the hospital waiting-room scenes." – David Rooney, Variety

"With a few deft moves from Wilson Chin's well-oiled set pieces, Adam and Luke's five-year relationship goes into playback– beginning with the party where they meet cute to their final argument in the apartment they shared." – Marilyn Stasio, Variety (2009)

"Wilson Chin's set design contends valiantly with the frequent changes of locale." – John Simon, Bloomberg

"Wilson Chin's attractive design of a stylish, pastel-hued hospital waiting-room morphs into rooftop, an eat-in kitchen, a bench in Central Park, and a New York abode with eye-popping efficiency." – David Kennerley, Gay City News

"From the hospital to the rooftop where Luke and Adam meet to a shared NY apartment set that ingeniously protracts and retracts, you never know how the scenery will develop next, but you'll ooh and ahh (at least in your head) every time it magically happens." – Cindy Pierre, Stage and Cinema

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